Mumbai:West Bengal Chief Minister Mamata Banerjee with NCP President Sharad Pawar and TMC General Secretary Abhishek Banerjee look on at his residence. Mumbai:TMC General Secretary Abhishek Banerjee seek blessing from NCP President Sharad Pawar at his residence and West Bengal Chief Minister Mamata Banerjee look on. Srinagar:Paramilitary soldiers stand guard near the site of shootout. #GalleryĬelebs Pay Final Respect To Sirivennela Sitarama Sastry Garu – Gallery Set 6 Mumbai:West Bengal Chief Minister Mamata Banerjee with film producer Mahesh Bhatt and poet and Lyricist Javed Akhtar during a meeting. #GalleryīEIJING : Soldiers of the Yemeni government march forward alongside armored vehicles as they launch an offensive against the Houthi rebels in Abs district, Hajjah province, Yemen. JERUSALEM : Passengers wearing face masks are seen in the departure hall at Ben Gurion International Airport near Tel Aviv, Israel. Both the ladies concentrate on their make-up and hamming while the hero and his gang round up what is possibly the only Gandhian interpretation of "The Godfather". The other prominent female character is the arch-villain Pechi (Varalaxmi Sarathkumar). Evenly paced and defined by a sense of bridled flamboyance and a feral fluency, this film finds Keerthy Suresh who was so wonderful as the legendary actress Savitri in "Mahanati", hamming away to the hilt. The narrative holds back, reins in the rage. There are many plot points where the blood-boiling vendetta threatens to spill over into an all-out bloodbath. He splatters the screen with stunts but doesn't allow the action to take over the plot. Director Linguswamy has a strong grip over the grammar of gore. The film's wafer-thin plot is never allowed to dissipate into a state of nothingness. Both Vishal and Ajay believe action speaks louder than words. On many occasions, Rajkiran playing the peace-loving patriarch is put center stage, while Vishal - uniquely quiet in his assertions of heroism - is akin to Ajay Devgn. Unlike his prominent peers from the South Indian cinema, he doesn't dominate every frame. Vishal takes center stage in the revenge drama without hogging the limelight. In one of them, Vishal in a crowded mela (which serves as the main location throughout the plot) tackles his opponents physically without letting his father and the other vigilant members of his gang know he is breaking the family rule: no violence.
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Predominantly, "Sandakozhi 2" is a treatise on non-violence carpeted with vibrantly conceived action sequences.
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It is an enjoyable reversal of gender roles. Here, it makes its presence felt in the climax where Vishal must battle the female antagonist hell-bent on revenge. The machete has always been a major player in Tamil action films. Peace is what he wants in his county, even as arch-rivals shower blows and brandish machetes which have seen better 'daze'. The only difference between Kamal Haasan's Thevar Magan and this enjoyable mass entertainer is the message of peace that emerges from the deftly staged action sequences.īalu's father (played with dignity and restraint by Rajkiran) is a Gandhian.
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In "Sandakozhi 2", Vishal Krishna, rapidly growing into one of the more dependable star-actors of Tamil cinema, plays Balu, an NRI who must join his father's outcaste's business of being a law unto himself. It's the men who are forever thrown into fits of rage, not necessarily of their own making. They scream at the men and treat them whimsically according to their moods. In the new Vishal Krishna-starrer, the two main women characters lord over the proceedings with no care in the world. In the rugged, rough and coarse terrain of Madurai, it seems women are safer than men.
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Cast: Vishal Krishna, Keerthy Suresh, Rajkiran and Varlaxmi Sarathkumar